Điểm Mù Blind Spot (2017)

Tuva Novotny’s 2017 film Blind Spot transcends mere storytelling, evolving into a demanding psychological immersion, largely due to its audacious real-time, single-take execution. Eschewing conventional narrative structures, the film thrusts the audience directly into an unfolding family crisis, creating an immediate and relentless tension. This bold cinematic choice is not merely a technical flourish; it's the very armature of its thematic core, fostering an suffocating, almost uncomfortably authentic sense of being trapped alongside the protagonist, Maria, within her spiraling emotional turmoil.

Pia Tjelta’s performance is a masterclass in raw vulnerability and psychological depth. She doesn't just portray Maria; she inhabits every agonizing, desperate, and bewildered moment, compelling viewers to confront the sheer weight of mental anguish she endures. The fluid, almost ethereal cinematography acts as an invisible shadow, intimately tracking every step and breath, amplifying Maria's fragility. Novotny, in her directorial debut, masterfully transforms spatial constraints into narrative strengths, crafting an oppressive yet haunting atmosphere—a profound exploration of mental health and familial disintegration. Blind Spot is more than a psychological drama; it's a powerful formal statement, solidifying its unique place within contemporary Nordic cinema.