Gió Lớn Thổi Qua Blowing In The Wind (2019)

Đặng Thái Huyền’s 2019 feature, Blowing In The Wind, transcends the typical bounds of Vietnamese contemporary cinema, presenting itself as a profound psychological study rather than mere melodrama. Huyền masterfully employs a cinematic language rich in metaphor, where every frame and color palette choice subtly articulates the insidious decay beneath societal veneers. Eschewing linear narration, the film thrives on ambiguity, compelling viewers to piece together emotional and situational fragments, fostering a deeper engagement with its intricate thematic tapestry.

The performances by talents such as Thanh Bi and Việt Anh are truly exceptional. They don't merely portray characters; they inhabit the internal struggles and persistent conflicts, particularly excelling in conveying complex psychological depth through nuanced gazes and gestures. Director Đặng Thái Huyền’s skill in guiding her cast to such emotional peaks is undeniable. The evocative sound design and meticulous editing construct an oppressive atmosphere, escalating the tension to a palpable degree, rendering Blowing In The Wind an unsettling cinematic experience. It forces introspection on human nature and unseen pressures, marking it as a significant advancement within the Vietnamese psychological drama genre and solidifying Huyền’s auteurial voice.