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Kiah Roache-Turner's 'Nekrotronic' is a visceral, genre-blending ride that solidifies his distinctive directorial voice. Eschewing complex narrative for raw, unadulterated spectacle, the film plunges viewers into a hyper-stylized world where digital demons wreak havoc, blurring the lines between physical and virtual realities. It's a glorious homage to sci-fi horror and action-comedy, delivered with a punk-rock aesthetic.
The film's technical prowess shines through its kinetic cinematography and frenetic editing, particularly during its inventive action sequences. The vibrant, often neon-drenched visual palette creates an immersive cyberpunk landscape, while the practical and digital effects for the 'nekrotrons' are impressively grotesque. Ben O'Toole anchors the narrative with a charismatic performance as the bewildered everyman, Howard, while Monica Bellucci, as the formidable antagonist Finnegan, exudes a chilling, elegant menace that elevates the entire production. While it might not rewrite cinematic rules, 'Nekrotronic' confidently carves its niche as an energetic, entertaining cult classic contender, a testament to Australian independent filmmaking's boundless creativity and a fun escape into a bizarre, demon-infested digital dystopia.
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