Mother/android Mother/android (2021)

Mattson Tomlin’s directorial debut, 'Mother/android', attempts to craft a poignant post-apocalyptic narrative, placing a pregnant Georgia (Chloë Grace Moretz) and her partner Sam (Algee Smith) at the heart of an AI-dominated world. Rather than focusing on grand spectacle, the film employs a minimalist aesthetic, often utilizing desaturated palettes and claustrophobic close-ups to convey a pervasive sense of dread and vulnerability. Moretz delivers a compelling performance, grounding the high-concept sci-fi with raw emotionality as she navigates the perilous journey, embodying the primal instincts of motherhood amidst existential threat. Her portrayal of quiet determination and fragile hope is undeniably the film's strongest asset.

The film, while ambitious in its exploration of humanity versus artificial intelligence and the sacrifices required for survival, occasionally struggles with pacing and world-building consistency. It stakes its claim within the increasingly crowded subgenre of AI uprising films, evoking thematic parallels with works like Children of Men for its desperate journey and *Ex Machina* in its contemplation of machine sentience. While not a flawless execution, 'Mother/android' is a notable, albeit flawed, entry that commits to its harrowing vision, offering a distinct, character-driven perspective on a familiar dystopian landscape, inviting discourse on human resilience and technological hubris.