Ngập Vốn Bankrolled (2021)

Nicholas Aerinoff's 'Bankrolled' is far more than a simple narrative of a startup gone awry; it's a scathing social satire dissecting the influencer economy and the inherent superficiality of contemporary social media culture. The film brilliantly captures the frantic, often absurd, reality of the startup world where the lines between authenticity and performance, ethics and profit, are frighteningly blurred.

Cinematically, Aerinoff employs a relentless, rapid pace that mirrors the chaotic and high-pressure digital realm. The astute editing, frequently incorporating screen-based visual elements from phones and computers, enhances both realism and satirical edge. Jake Abel's lead performance is compelling, crafting a character both pitiable and morally compromised, effectively portraying his descent into desperation. Supporting roles by Tricia Helfer and Michael Hogan add layers of shrewdness and calculation, embodying the cutthroat nature of the investment world.

The film's message is stark: the obsession with "going viral" and accumulating "likes" can lead to disastrous consequences. 'Bankrolled' firmly establishes itself within the dark comedy and social critique genre, standing confidently alongside other works critiquing Silicon Valley culture and the explosive growth of new media. It serves as a potent cautionary tale about digital ethics and the true cost of "success" in the digital age.